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  • Writer's pictureTheater Design Inc.


It seems the holiday buying season starts earlier and earlier. It used to be that “Black Friday”, the day after Thanksgiving, had been the unofficial start of the gift buying season; when price-minded shoppers mob department stores in search of sales and mark-downs. Today - - the first week in October - - stores have begun Christmas sales. If Wal-Mart® has moved its holiday sales season start can other stores be far behind? New Hampshire, long the holder of the earliest presidential primary election, is now joined and even superseded by other states seeking the cachet of holding the ‘first’ primary. Followed logically, if not absurdly, this trend will lead us full circle to Black Friday. Let’s save ourselves the cultural angst of trying to do more, sooner and before the ‘next guy’ and keep the winter holiday season where it is.

I would argue that, regardless of ones beliefs, the end of the yearly cycle has always been a time for celebration. The harvest is in, stores laid by and the fields plowed under for a winters sleep. Well, maybe I’m a few thousand years out of date for most people, but the changing seasons do bring physical and emotional responses in people; at least those of us that live in temperate climes. Even today’s urban dwellers seem to find a satisfaction in the year’s completion and anticipation for the new year to come. In many cultures this is expressed in a desire to share ones bounty with family and friends and the giving of gifts.


I will not dwell on the commercialization of the holiday season that seems to increasingly overwhelm our lives or whether it is ‘good’ or ‘bad’ or just ‘is.’ I would like us to think about the old maxim that, “it is better to give than to receive.” Often uttered by parents in an effort to appease disgruntled children, it has been rendered ineffective, like some antibiotics, by unthinking overuse. Children, selfish beasties that they are, don’t believe it for a minute and in the face of this reaction, most parents probably find it difficult to believe themselves. Toys, books, clothes, computers, games, apps, things, things, things are what we crave and when we finally open the box to see our heart’s desire we are happy for a while - - and then we start to want something else and all previous gifts and desires fade in comparison.


Lest I come across as too much of a Scrooge, let me state for the record that I enjoy the holiday season and am happy to receive a gift - - any kind of gift! I would still, however bemoan the focus on only giving “things”. As those of us in the performing arts profession know, attending a performance not only provides the attributes of a ‘gift,’ anticipation and elation, but also an experience that can last for many years. For myself and probably many of you, attendance at the Nutcracker, the Messiah or some other traditional holiday performance was a transforming experience that continues to resonate. It is an essential part of who we are and how we view the world no matter what aspect of the business we find ourselves in or even if we were to change careers.


Those of you who have worked with me or have been reading my posts have, no doubt, noticed my constant focus that the performing arts, and indeed all the arts, should be an important and integral part of everyone’s life. Other of life’s ‘things’ bring a constant pressure against this, but it is a way we can truly change the world. This is the gift I would like to give to my children, family, friends and colleagues; one where, I believe, it can truly be better to give than to receive.

  • Writer's pictureTheater Design Inc.

At one point in the film I Robot, (loosely based on some of sci-fi writer Isaac Asimov’s novels) Will Smith’s character says to the lady scientist, “You’ve got to be the dumbest smart person I know.” Later in the movie when he realizes what is going on (spoiler alert: it’s VICKY, the central computer and not the evil-seeming company CEO) he repeats the line referring to himself as “the most stupid smart person.” I thought of those lines as the nail on the index finger of my left hand, which had been turning varying shades of purple finally fell off.


Snow

Flash back to the aftermath of a wet winter snow storm as I pushed my snow thrower along the driveway. I say “pushed” because it is undersized and only likes dry, powdery snow. Purchased over a decade ago, when I was new to country life, I had yet to learn the lesson that sometimes more is more. The wet snow, heated by the friction of the blades, tends to refreeze in the ejector tube. This is a real pain because the driveway was over 150 feet long and a car is the only way to get anywhere other than the deli across the road. Though I keep a 5 foot piece of doweling handy it always ends up where I am not. I can’t carry it as both hands are required to engage the spring-loaded plow drive and blade motor controls.


I know that it is not safe to put my hands into the maw of the machine when it is running, even with the blades disengaged. There’s a warning label clearly stating the snow thrower should be turned off before placing ones hands anywhere near the blades. And yet, for 13 years, absent my dowel, I have poked my hand into the tube to push the ice out without incident - - but not this time. As I push the ice my gloved finger encounters the slowed, but still spinning blades. It is akin to smashing your bare toe into an immoveable object: the pain physical, mental and spiritual. Why did I do something so stupid?


Wasps Another aspect of country living are the flying insects that control the skies during the late spring and summer months. Paper wasps are my bête noir. They are very territorial and their territory seems to include all the areas around the outside of my house. You don’t have to interfere with them, but only pass too close. Unlike bees that die after stinging, the wasp remains alive and, if possible, more ornery. It continues to sting (and encourages its comrades to join the party) chasing you until you find shelter indoors. The pain of a single sting can last a week.


Their nest starts off as a single cell attached to whatever surface the wasp-mind deems suitable by a seemingly too-thin thread. Left undisturbed, it can grow to be the size of a football or larger. If it reaches this size, with the attendant population of wasps, it becomes impossible to get into or out of the house safely. So, when I saw a couple of wasps hovering around the beginnings of a nest located in the doorway I knew that immediate, decisive action was required.

Never mind the time-honored adage advising against poking a stick into a wasp nest. This, after all, was not really yet a nest. Grabbing a too-short, flimsy branch from a weeping willow (more like a feather duster than a stick), my plan was to swat the embryonic nest and leave the wasps to find another location. I approached the doorway, reached out with my branch and sought gently, but quickly, to dislodge the nest. Before the branch was within a foot of the nest, the wasps flew at me, like the bulls at Pamploma. I turned as quickly as I could, slipped out of one of my sandal, tripped on the other and went face-down onto the asphalt. I’d lacerated my hands and knees and my head bounced as it hit. The scars on my knees will be with me forever. I would rather have been stung. Have I become the kind of person who believes they are not subject to the rules of mortal men?


Some are more special than others

George Orwell had it right when he wrote in Animal Farm that “some are more equal than others.” We all think that rules and procedures are good and benefit all, but that they don’t necessarily apply to ourselves. I’m special, so I don’t need to follow the rules. I’m special so it can’t happen to me. I’m special so I will live forever. I’m special so I don’t need to look before cutting you off. I’m special so I can yak with the supermarket cashier as the line behind grows ever longer. I’m special so I don’t have to read or follow instructions. I’m special so I can argue with you about the driving directions you have given me although I don’t have a clue myself. This last is a long-standing pet peeve.


As a child, I often found myself hanging around the corner with my friends on hot summer days with nothing particular to do. I must have appeared wise beyond my years because drivers inevitably asked me for directions and inevitably they disagreed with me. Was this because even though they thought me mature enough to give directions, as adults they felt no compunction about contradicting me? They must have felt special. In the face of this I would concede (after all, I was only seven or eight years old) even while knowing their directions were incorrect. After a while I started agreeing with them from the start, especially if they were wrong. This small maliciousness will increase my time in purgatory, but it will be worth it because I am special.


This belief is ingrained in us from birth, growing, as we grow, from the “terrible twos” to its apex in the latter teen years when we become special by virtue of knowing everything. While this sense of specialness decreases as we age it never completely goes away. It remains the one common faith among all peoples that: contrary to multiple personal experiences and in the face of concrete evidence to the contrary we are not bound by the rules of common sense.


Continuing to plow my driveway, the same day I smashed my finger, the snow refroze and jammed the machine - - again. The dowel was, of course, not nearby and without a second thought I moved my hand toward the machine . . .

  • Writer's pictureTheater Design Inc.

One night, looking for something to read before bed I opened Bowling Alone: The Collapse and Revival of American Community, by Robert D. Putnam, 2000, published by Touchstone. I had noticed it on my wife’s night table for many weeks; puzzled because I knew that fiction was her usual choice of reading material. (I learned later that she had picked it up for me, knowing that my taste in reading leaned toward non-fiction.) Given the availability of another book, Bowling Alone might have languished on my night table too, but I always rely on reading to ease me into the sweet embrace of Morpheus.

What I encountered was a very readable, though sometimes academic, exploration of social change in America over the past century. The basic premise is that significant social interaction has decreased over the past century; most noticeably in the past forty years and that this is not a good thing for American society. Identified as social capital, what one could call the grease that oils the machine of community, its lack fragments families and communities and thereby isolates individuals from each other.

The author cites many civic and social activities that have declined including: bowling leagues, PTA membership, membership is fraternal organizations, entertaining at home, blood donation, voting and volunteerism in general. Among the reasons he offers for the recent decline in social capital, all without judgment, are: television, the internet, racial tensions, generational tensions and the stress caused by both parents having to work to support their families. Historical roots of this decline and its causes are presented along with future projections (if current trends continue.)

Over the past several years at various conventions, seminars and town halls; over dinner and at the hotel bar I have heard a constant concern voiced over declining attendance at venues that present the performing arts. Lack of attendance translates directly to whether you will be in the black or in the red and facility managers are under constant pressure to do “more with less.” One range of solutions targets the cost of supplies, materials, operating procedures and labor and how these can be reduced and the bottom line improved. Another range targets staff management, training and morale and how improved customer service will maintain current patrons and, hopefully, attract new ones. Both of these are valid ways to reduce costs and maintain customer satisfaction, although sometimes the pursuit of the first hinders pursuit of the second. If materials are scarce, salaries stagnant and work hours reduced; it can be difficult to motivate staff.

So, aside from the pandemic - - which has had a unique impact upon all aspects of life over the entire planet, why has attendance at performing arts venues declined over the past 10-20 years? Personally, I don’t believe it is the fault of facility managers or facility staff. My interactions with performing facility staff and administrators are uniformly warm, cordial and caring and these characteristics go to the heart of customer satisfaction. I don’t believe it is the fault of resident arts groups. They are equally invested in customer satisfaction and the presentation of events that will attract and engage an audience. The type and variety of product available has continued to increase and there appears to be “something for everyone” out there. Everyone seems to be doing all the right things; at the right times; but to no long-term avail.

Reading Bowling Alone made me think that perhaps we have been treating symptoms and not the disease. The book posits that American society, in general, has become more isolated over the past 40 (now 60) years and suggests that it may continue to do so in the future. If this is truly the case, then we can only expect attendance to continue to decrease, no matter what “fixes’ are undertaken at a given facility. The last chapter of Bowling Alone proposes six agendas to address the “decline of social capital.” The first addresses the performing arts directly.


To build bridging social capital requires that we transcend our social and political and professional identities to connect with people unlike ourselves. This is why team sports provide good venues for social-capital creation. Equally important and less exploited in this connection are the arts and cultural activities. Singing together (like bowling together) does not require shared ideology or shared social or ethnic provenance. For this reason, among others, I challenge America’s artists, the leaders and funders of our cultural institutions, as well as ordinary Americans: Let us find ways to ensure that by 2010 significantly more Americans will participate in (not merely consume or “appreciate”) cultural activities from group dancing to songfests to community theater to rap festivals. Let us discover new ways to use the arts as a vehicle for convening diverse groups of fellow citizens.

To me, this agenda suggests that we all extend ourselves, personally and professionally, to support, engage and participate in cultural activities. In other words, we must put our money where our mouths are. It is not enough to manage the facilities that house and present the performing arts; we must show, by our deeds, the inherent value of participation in and attendance at performing arts events as an integral part of daily life in all communities and across all income ranges.

I believe that performing arts facility managers, indeed anyone with an interest in the arts, can also reach out to create “social capital.” We can join community theater groups. We can work directly with students in schools. We can attend school board and town planning meetings as advocates for the performing arts. We can vote to ensure that our representatives will understand the value of the arts. In short, anything you can do to reach out beyond your customary network of friends and contacts will help. If we all extend ourselves in this manner we will not only return patrons to our facilities but will also enrich ourselves and our communities.

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